Here the stance is reversed.
Marble statuette of aphrodite anadyomene.
This artwork is meant to be viewed from right to left.
Marble statuette of aphrodite anadyomene rising 1st century a d.
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E1cwna from alamy s library of millions of high resolution stock photos illustrations and vectors.
On view at the met fifth avenue in gallery 162.
Marble statuette of aphrodite anadyomene rising 1st century a d.
Roman adaptation of a greek work of the 3rd 2nd century b c.
Ad a roman copy of a 3 2nd cen.
In this graceful pose aphrodite was represented with both arms raised wringing water from her hair as though she were just emerging from the sea where she was born.
Marble statuette of aphrodite anadyomene rising 3rd 2nd century b c or 1st century a d.
Marble statue of aphrodite anadyomene hair binding.
This aphrodite s arms were originally in a pose very similar to that of the statue of the goddess displayed nearby.
A marble sculpture of the godess aphrodite 2nd.
Or roman early imperial 1st century a d.
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Marble statuette of aphrodite anadyomene rising the metropolitan museum of art new york city united states.
Or roman early imperial 1st century a d.
Greek said to be from rhodes this marble image of aphrodite goddess of love and beauty was originally adorning herself with one arm raised to her hair the other holding some object like a mirror or ointment vase.
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Sometimes thought to derive from a famous painting.
Greek 3rd 2nd century bc or roman early imperial 1st century ad.
Download this artwork provided by the metropolitan museum of art.
E1cwn9 from alamy s library of millions of high resolution stock photos illustrations and vectors.
Marble statue of aphrodite anadyomene hair binding.
Due to rights restrictions this image cannot be enlarged viewed at full screen or downloaded.
Marble statue of aphrodite anadyomene hair binding.
Most of the figure s weight is on the right leg instead of the left.
Marble statuette of aphrodite anadyomene rising date created.
Marble statuette of aphrodite anadyomene rising type late 2nd century b c.